Synchro Arts' VocALign Project 3 is an incredibly handy studio and post-production tool - you can use it to put any two audio sources in perfect time with one another. This video was created using Ableton Live (9.6.1) and VocALign Project 3 AU. The screen shots in this note use VocALign Project 3 as an example. VocALign can lock these two performances together, spotting, fixing timing and laying back the dub in the blink of an eye.
you must update to studio one build 3.3.1 or later in order to use these studio one add-ons for studio one 3.It works best on short regions that have neatly separated, defined audio chunks (i.e., not a lot of overlapping sounds where the beat divisions are swallowed by sustained notes). Synchro Arts VocALign PRO V4 Overview VocALign PRO is a more powerful version of the unique VocALign automatic audio … I'll edit the title.I have Revoice Pro which is an even higher end version of Vocal-sync and VocAlign ARA, and now it finally works fairly well as ARA within CbB. The new waveform can be sent to any track desired, and a pull-down menu above the panes lists all the current session’s available tracks. Check it out-for only $495.Once open, VocALign AS’s window can stay on the screen while you are flying audio back and forth. Take two dialog lines at completely different locations, saying the same thing, but with totally mismatched meters. Revoice Pro not only syncs your vocals but matches pitch changes as well - amazing.Can you post some steps please?I'm up to date(as far as I know) on everything and my vocalign still isn't workingI gave up on revoice pro in the past, no way I could go through those steps, but I just seen the updated video and this look much more like it.
With Pro Tools upgraded, I was ready to install VocALign.
An “Analyzing: VocALign” message appears for a second, and then the waveform shows up in the selected pane. However, the tutorial’s audio files are optimized to show off VocALign’s capabilities, so they’re great for getting an idea of what the program can do in a best-case scenario.
Enter some parameters, adjust a threshold, assign your sample and voila-yesterday’s dialog is locked to today’s groove, a new sound effect is dropped to the old markers, every squeak below -20 dB is gone, and the lead singer’s flat performance is perfectly in pitch.AUDIO ALIGNMENT SOFTWARE Is it my imagination or does life in audio production land just keep getting better with each new plug-in that comes along? You should see something similar to the image below. For example, I was able to fix the timing in one section of an otherwise excellent lead-vocal track by applying the timing of an old scratch track with great timing but bad intonation (too bad it doesn’t fix intonation as well).